What’s Sexy: Part Two


In just a couple of days, on May 22, you’ll see The Outside Lane featured on theNickelodeon Parents Connect Sexy Mama Boot Camp.  Leading up to that, I’d like to introduce you (and any new readers) to some things I think are sexy.

1.  My cousin, LynDee Walker, the award-winning journalist is sexy

LynDee Walker

LynDee is a fantastic writer, who is currently contributing articles on parenting to The Examiner.  You should read her work because she is smart, she is sincere, she is loving, and she is a lovely, lovely human being.  LynDee asked, specifically, that I link to her column about Mike and Laura Canahuati, and their baby Avery, who suffered from Spinal Muscular Atrophy.  Check it out, but grab a tissue first.

2.  Turning your hobby into a booming business is sexy

If you were a baby, you would want to wear fashions from Too Too Fabulous.

My friend, Cameron Stutzman, turned her crafty hobby into the too, too fabulous TOO TOO FABULOUS.  Shop her store for adorable baby and toddler clothes, mega hairbows, and exactly the kinds of shoes you’ll need to train up your favorite little future-shoe-diva.  Custom items at great prices.  You’ll love it!

3.  Sharing your knowledge is sexy

Julie Anne Rhodes is sexy.

I can’t say enough about Julie Anne Rhodes.  She is one of my feminine role models.  She is as comfortable in Versace as she is in her chef’s apron, and as willing to share tips about both.  Julie Anne’s Personal Chef Approach to cooking has made my kitchen life a cinch, and made me feel like a success at the same time.  You will definitely want to check out her site, and definitely want to join as a premium member.

What is Sexy: Part One


In just a couple of days, on May 22, you’ll see The Outside Lane featured on the Nickelodeon Parents Connect Sexy Mama Boot Camp.  Leading up to that, I’d like to introduce you (and any new readers) to some things I think are sexy.

1.  Funny Girls are Sexy

Sheila Cooper of Locked Out Comedy

 

One of my absolute favorite things is Sheila Cooper–she’s actually a person, not a thing, but if you ask her to be a thing, she’d be able to pull it off in a heartbeat.  Why?  Because Sheila is a member of the hilarious Locked Out Comedy improv troupe.   Check out their website and see if there is a show going on near you.  You’ll be glad you did!

 

2.  Great jewelry is sexy

Jewelry by June

You all know I love jewelry, but by far my favorite jewelry designer is June Pillay Graham of June Bijou.  June’s handcrafted necklaces, rings, earrings, and bracelets are so beautiful.  Every piece is a tiny work of art.  It’s also good to know that June is a wonderful human being.  I adore her.

3.  Activism and Public Service are sexy

Fighting against Acute Lymphoblastic Leukemia

Eddie and Rhonda Brown are my neighbors.   In August of 2010, Eddie and Rhonda’s three-year-old daughter, Chloe, was diagnosed with Acute Lymphoblastic Leukemia for a second time.  Chloe’s older sister, Bailey, was looking for a way to help.  Bailey and her school lunch table decided that on a Friday they would all wear Orange in tribute of the Leukemia Ribbon, to raise awareness of the disease affecting Chloe. It became a Friday thing, and soon, Eddie and Rhonda were founding Orange Out, a non-profit developed to help families of children fighting cancer.  Find out more at:

Follow us on Twitter at http://twitter.com/OrangeOutFound

Oliver Brown, Lucille Bridges, and Me


Parenthood is life changing.  Everything changes when that baby is born.  Sleep patterns.  Eating habits.  Social interaction.  Everything.  I think I was most surprised to find how much having had a child affected my decision making process.  Now, every decision runs through an extra filter of Good For Thor.  Where I shop for groceries.  Where I work.  What trips we take.  Where we live.

I’ve said before how thankful I am that we have been able to afford good child care.  I have said how grateful I am that we have been able to choose our child care, and in the couple of instances I wasn’t satsified with Thor’s level of care, I could move him without worrying about how we were going to afford it.  Bryan has worked incredibly hard, and sacrificed a lot to better situate himself in his career, and I have pressed forward in every way that I could so that we were able to be in that position.  That work has also paid off in our ability to choose where to live based on school districts.  (It actually worked out that it cost much less for us to live in a better school district, than it would cost to send Thor to private school.  Go figure.)

If you had told me, ten years ago, that I would be choosing where to live based on a school district, I’d have laughed at you.  If you had told me that I would be sitting down and looking at the cost of private school, versus the cost of living in a different school district, versus what that would mean for Thor’s future college prospects, or spending literal hours on school rating websites and toggling back and forth between real estate listings trying to get into a home that would zone Thor into one of the three schools we had determined would be good for him, I wouldn’t even have been able to comprehend you.  I’d still have laughed at you, though, because that sounds ridiculous. 

Still, I’ve done that and more.  We love that kid, and we are committed to doing whatever we can to make his life better, and both of us agree that one of the most important tools we can give him is a good education, and we work to create the possibilities.  And we work hard (because it isn’t easy to juggle business hours and school hours) to be sure Thor can get back and forth to school safely, with good supervision, in healthy environments.

On May 17, 1954, Oliver Brown triumphed against backwards, ignorant, hateful thinking in his quest to get his daughter into a school that was 7 blocks from the family’s home, rather than having to make the First Grader walk 21 blocks to the segregated school slated for black children.

Linda Brown Thompson recalled the day her father tried to register her for school in their neighborhood:

. . . well. like I say, we lived in an integrated neighborhood and I had all of these playmates of different nationalities. And so when I found out that day that I might be able to go to their school, I was just thrilled, you know. And I remember walking over to Sumner school with my dad that day and going up the steps of the school and the school looked so big to a smaller child. And I remember going inside and my dad spoke with someone and then he went into the inner office with the principal and they left me out . . . to sit outside with the secretary. And while he was in the inner office, I could hear voices and hear his voice raised, you know, as the conversation went on. And then he immediately came out of the office, took me by the hand and we walked home from the school. I just couldn’t understand what was happening because I was so sure that I was going to go to school with Mona and Guinevere, Wanda, and all of my playmates.

I cannot imagine how livid I would have been, had I been told that regardless of how hard I had worked to position Thor into a particular school, he would not be allowed to attend.  I cannot imagine how angry, how sick, how heartbroken, or how helpless I would have felt.  And I certainly can’t imagine trying to tell Thor, “I’m sorry, Bud.  But you can’t go to school here because you aren’t the right color.”

I thank God for Oliver Brown and parents like him.  Parents who refuse to force their children into backseats, or to accept outdated social conventions, or to walk three-times-the-distance-to-school because some hateful, fearful so-and-so says so.  I thank God for parents who fight for their children to have opportunities, to go to prom, to participate in sports, to represent their schools, while recognizing that those rights belong to all children, that no child is better or worse, superior or inferior, good or bad based on the color of their skin, the origin of their birth, the bent of their sexuality, their gender.

Ruby Bridges walks to school.

Thank God for Oliver Brown, because six years later, another little girl would be entering school.  There was a school five blocks from her house, but she was slated to go to the segregated school many miles away.  Lucille Bridges prevailed in convincing her husband to allow their daughter, Ruby, to take the test being given to black children, which would determine whether or not they could go to the white school. Abon Bridges was afraid of what it would mean for Ruby and the Bridges family if she passed the test.  Lucille was certain that it would mean greater opportunity for her daughter, and she wanted her children to have more than the scraps “Separate but Equal” offered them.  Ruby took the test and passed. On November 14, 1960, in New Orleans, Louisiana, Ruby Bridges was escorted to school by federal marshalls, who were there to protect her from the ignorant, backwards, hateful, horrible adult men and women who protested the child’s right to an integrated education.  Amidst people gathered in front of the William Frantz school, yelling and throwing objects, Ruby climbed the stairs and walked the whole nation into a new era.  (And I have to ask, what the hell kind of people throw food and scream insults at a small child?) Thank God for parents like Lucille and Abon Bridges, who when Abon’s fears came true, stood their ground for their daughter’s rights.  Who, when Ruby’s life was threatened, still found a way to press forward.  Who struggled alongside their daughter emotionally and psychologically, and didn’t quit because of other people.  Who overcame the greatest adversity a parent can, fearing for the safety and health of your child, and who made the world a better place. Ruby had a horrible time that first year.  I’m sure the following years were not picnics either.

By Ruby’s second year at Frantz School it seemed everything had changed. Mrs. Henry’s [the teacher who had taught Ruby alone in a classroom, after every other teacher refused, and parents refused to have their children taught alongside Ruby] contract wasn’t renewed, and so she and her husband returned to Boston. There were also no more federal marshals; Ruby walked to school every day by herself. There were other students in her second grade class, and the school began to see full enrollment again. No one talked about the past year. It seemed everyone wanted to put the experience behind them.

40-plus years after Ruby Bridges’ tiny shoulders carried integration into the South, I wonder if I would be brave or strong enough to put such a burden onto Thor’s.  I don’t know.  If the only way to ensure that he had a shot at something more than what we have was to duke it out through a year of hell…  I don’t know.  I am pretty sure that Lucille Bridges is a better woman than I am.

That’s one of those things you don’t know until you get there.  Like how fiercely you can love a child (born, adopted, married into, however you come by the little guys), how deeply you want their happiness and success.  You don’t know how far you are willing to go until you’re faced with the need to get into a new place.

And I understand that those fools who were protesting that tiny girl, throwing food and shouting insults–some of them thought they were protecting their children.  But they were wrong.  And thank God there were other adults who knew it, and who kept fighting forward against ignorance.

The Ruby Bridges Foundation has a motto:  Racism is a grown-up disease and we must stop using our children to spread it.

Every -ism is a grown-up disease and we must stop using our children to spread it.  What is so painful is that our children are the only cure, and no one likes being poked by needles.

Memphis the Musical: A review


Thanks to Nicole Barrett and radio station KLIF, I won two tickets to opening night of the Dallas Summer Musical performance of the Tony Award winning Broadway musical, Memphis.  It’s always great to get out to a show, and the free-er, the better!   I’m sure that’s what the people in front of me thought when they got the free peepshow of my panties.  I got my dress caught on a theater seat and somehow managed to yank both it and my slip up over my hips.  Sorry, people!  At least you weren’t charged for the view.

I enjoy musical theater.  I have no problem with people bursting into song at odd moments, full orchestras invisibly swelling behind people who are suddenly dancing and singing.  I mean, except for the musicians, I do that all the time.  Why shouldn’t everyone else?  And, since my latest guilty pleasure is SMASH!, I was very excited to go see Memphis.

Sadly, I was disappointed.

First, though, the highlights.  Felicia Boswell, who played Felicia Farrell, was fantastic.  Her vocals were wonderful, and I would sit and listen to her sing all night.  She also cut a smashing figure in her costumes, and moved beautifully.  She’s got some amazing arms.

The choreography was a lot of fun, and I really enjoyed watching the dancing.  Made me wish I could move like that.

The costuming was great.

About half of the numbers were truly enjoyable.  The other half?

So, when you leave a good musical, you should be humming a song, or at least have an earworm.  Even after the first episode of Smash!, I was humming “Let Me Be Your Star” without realizing it.  A good musical should have at least one number that you want to stop, rewind, and play again.  Memphis didn’t have any of these for me.  I’m not saying I didn’t enjoy the music–in fact, there were a couple of songs Boswell sang that made me wish I could replay the stylings she gave them, but that was everything to do with her, and nothing to do with Memphis.  I walked out and couldn’t have sung you a bar from any of the songs they performed, and given my Mockingbird like recall for music, that’s saying something really sad.

Several of the actors seemed to be having trouble with their mics.  At least, I’m going to give them that benefit of the doubt, otherwise I can’t see why they would have been cast.  Dialogue was garbled and unintelligible in places, with Boswell and a trio of supporting actors being the only characters I could completely understand.  The star of the show, Bryan Fenkart, who plays Huey Calhoun (the fictionalized version of Dewey Phillips, upon whom the story is built) was just not good at all.

Most of the time, Fenkart couldn’t be understood at all.  He, and the rest of the cast, adopt what passes for a Tennessee accent (if you have never been to Tennessee) and on top of his hick twang, he has added a version of Steve Martin’s wild and crazy guy hiccoughing affectation.  I could catch two or three words of every sentence.  Having no knowledge of the musical beforehand, when his character first appeared, I thought he was playing the stereotypical Southern Mentally Challenged trope.  That’s how affected his speech was.  It took a couple of scenes before I realized he was the star, and quit waiting for him to meet some end like Mercutio.  His vocals were marginal and his dancing made me think he’d been cast for his vocals.

The story was all right.  I feel like the subject matter could have been handled much better, but that would have required taking the focus from Huey and putting it on Felicia–rewriting the show entirely.  I was very uncomfortable with some of the language.  Racial epitaphs are a part of my family’s conversational history that I have worked hard to distance from, and it was actually painful to sit through listening to dialogue that sounded like it had been tape-recorded off my Granny’s back porch.  Yes, it was historically accurate, but also yes, the seriousness, danger and sadness of the era were completely glossed over in lieu of using a few slurs to set a tone.  It made too light of the violence and hate that were rampant in those days, relegating the truth of the matter to two offhand comments and one short scene in the matter of 2.5 hours.  If you’re going to do a show about racism in the 40s, 50s, and 60s, you’ve got to commit.  People died.

I wasn’t engrossed, and there was a massive shift in Huey’s character after intermission surprised me.  Though, I think I was supposed to infer that he had become a drunk because he drank from a flask twice in the 6-8 year span of time the last half of the play covered.  His speech and movement never changed, so who knows?  I just know he started behaving differently toward Felicia.

I liked the parts revolving around Felicia, and wished there was more to her story, her brother’s story, and the people around her, and less about the herp-derp DJ.  I appreciated that Felicia was a strong-willed, independent woman, and was glad for how she ended up.  I guess I liked everything about her.

So…I’d give it 2 out of 5 stars.  It wasn’t bad.  It wasn’t great.  It was somewhere short of average for me.  I loved having the night out, though, and do really appreciate the free tickets!

Falling Out of Bed


If this were LiveJournal, I would set my mood as “accomplished.”  It isn’t even 10am, and I have already been to work (and sent home because I’m not supposed to be there until 11:30 today–oops!), to Home Depot, and reconfigured Thor’s bed to alleviate his (and my) anxiety about the possibility of him rolling out of it and into a full body cast.

When we moved into the new place and set up Thor’s bed, I wasn’t really worried about him rolling out.  He hasn’t fallen out of his bed since he was about three-years-old, and that only happened once, or twice, and I had built a border of pillows to act as a bumper.  But lately, he has been saying he’s afraid he’s going to fall out, so I have been figuring out how to help his fear.

Originally, his bed looked like this:

 

The bed came with an extra panel, in the event that we wanted to remove the staircase from the side and use a regular bunk ladder.  I’ve had that up in his closet until today.  Today, I added hinges and a sliding bolt, and attached that to the bed rail.  The configuration was important.  I wanted to place the panel so that I could still (climb up the stepladder) and tuck him in, but I also wanted it to be placed so that he couldn’t just roll easily out of the bed from the head, or the foot.  Also, I needed to be able to move the panel enough to make the bed, hence the hinges.

 

And that should do it!

Dress Boxes in my Mind


One of the things I like about Thor’s pediatrician is that before she does any part of an examination that requires touching below the belt, she says to him, “Thor, I am about to examine your privates.  It is okay for me to examine them because I am your doctor, and because your mother is in the room with me.  If anyone else asks to look at, or touch your privates, you tell them no, and you tell your mom and dad.  These are your private areas, and no other grown-up should ever ask to look at, or touch them.  And no other grown-up should ever ask you to look at, or touch their privates.  Okay?”  And then she does the exam, and as she completes it, she reiterates that it was okay because it was for his health and because I was there to make sure he was protected, and that no other grown ups should be putting their hands on him. 

I like that because the first time it happened, he was barely five, in kindergarten, and it gave me an excellent lead in to having deeper discussions with him.  “Remember when Dr. H said…”  And it helped me give him gentle information to protect himself at an age when he could completely understand the concept.  No longer a baby in diapers, or a toddler/pre-schooler in a daycare setting where I trusted the staff, he was on his own as a child in a school full of people I didn’t know, in bathrooms alone, going on field trips with strange adults, and in classes with children who may have already been hurt by someone else.

A recent event made me question whether or not I had given Thor enough information, so I struck up a conversation with him that started with, “Remember when Dr. H said…” and wrapped up with, “Do you know that sometimes other children might ask to look at, or touch your privates?  And that it is okay and good to say no to them, too?”  He was quiet for too long, and gave me side-eye from the passenger seat.

“Yes,” he finally said.

“Has that ever happened to you?” I asked, glad for the years of acting that kept my voice light.

He considered, again for too long.  “No.”

“Has another child asked you to look at, or touch him or her?”

And, bingo.  Yes, that had happened as recently as I thought it might have.  He was stoic about it.  Said that it had made him feel a little funny and he thought it was weird, but he said no because–gross.  I agreed.  Ew!  Germs!  We laughed.

Then, we talked about how some kids are curious and don’t have the same idea of privacy, and that doesn’t make them bad kids, but those are still his private areas, and not for anyone else to fool around with.  And, I told him if he ever felt worried or afraid to say no, he could use me as an out, and say that his mother told him he wasn’t allowed to do x, y, or z because it was germy–and we both laughed again. Ew!  Germs!  I try to keep it light.  Those little shoulders are too small for it to be heavy.

I was younger than Thor the first time I was bad-touched.  I remember it like this:  I was wearing my new underwear and a man’s voice told me to take off my panties.  I was confused and embarrassed.  I climbed into a dress box, pulled the lid over top of me, and shut myself in to hide.  Once I was in the dress box, the man insisted I take off my panties.  I was afraid to take them off, but I peeled them back to let him look.  It happened three times, then he told me what a bad, dirty girl I was–that seemed like a horrible trick to play for my cooperation.  If I told, everyone would know I was bad and dirty.  And then he went away, and I got out of the box.

It’s a memory I didn’t talk about openly until last year because it has never made sense to me, and because I had an extreme sense of shame attached to it.  From that day, I thought I was a dirty, bad girl, and I was obsessed with nudity–something else I kept a secret.  I thought that the incident was proof that something was wrong with me, and throughout my childhood, I honestly believed I had been visited by The Devil because I was so evil. 

As a grown-up, I understand disassociation, and I understand that when a child can’t make sense of a traumatic situation, they might build a situation that does make sense–I couldn’t tell you who the man was, or what the man looked like.  I couldn’t tell you who the voice belonged to.  I could just tell you exactly where I was, exactly what I was wearing, exactly how my hair was styled, exactly what he said to me, and how the dress box seemed to appear out of nowhere.  In my case, what made sense to me was hiding in a dress box from Kirvin’s–a store that was a thousand miles away. 

Because of that, and subsequent abuse by a babysitter–something else I didn’t really talk openly of until last year–I have no idea what is normal childhood curiousity, versus traumatized child curiousity.  It is very important to me that Thor never feel ashamed of his body, or ashamed of having natural curiousity about his, or other people’s bodies.  It is important to me that he never feel dirty or bad.

It is also very important to me that Thor understands healthy boundaries, that he knows it is okay to wonder and be curious, but not okay to ask for access to anyone else’s bits.  It is okay to ask questions–it’s great to ask questions!  But you need to ask the right people.  I want bodies to be as normal and casual as hair.  We’ve all got it, but we all style it a little differently, and it’s only okay to touch it, sniff it, or ask questions about it in certain situations.

Exploration of self and sexuality is part of life, even way before we attach any notions of desire to it.  I just don’t want Thor to be in positions where someone else, more precocious and more prepared, pushes him off cliffs he’s not yet ready to dive.  I don’t want any dress boxes in his head.

Midnight, Past Mother’s Day


And here is why I will never be an artist:  I think to myself, “I feel like painting.  I really want to paint [thisandsuch].”  And then I think, “Why is paint so messy?  I wish paint weren’t so messy.  I should just draw something instead.  Where are all the pens?”  And, of course, by the time I find a pen, the moment is gone.

*****************

Here is why I will never be an accomplished musician:  I spend so much time tuning the instrument, that all my patience for playing it is gone.

*****************

It was a very happy Mother’s Day, spent with my favorite people.  Mom and Thor played badminton in the backyard, while B and I stood inside watching.  Then Mom and I picked up a classmate of Thor’s and went bowling.  After that, birthday dinner for Mom.

My mother and my son. They get along so grandly!

I love having a mother.  I love being a mother.  I know exactly how fortunate I am in both cases, and I am so grateful for every moment.

There are times when I wish I had more children.  Listening to Thor explain to his friend’s siblings that he is an only child brought those feelings to the surface, today.  But I have this one.  And this one is an excellent one.  I am extremely fortunate.

I love being a mother, but most of all, I love being Thor’s mother.

Scoreboarded!


image

Talking About The Conversation–A TV Review


Whatever you think of Duran Duran, you have to admire their taste in women.  Several of their wives (former and current) are doing amazing things in their own rights (and were doing so prior to having exchanged vows with the notorious pin-ups.)  My favorite is Julie Anne Rhodes, of course.  She taught me to cook!  But among the Duran WAGs there are also Gela Nash Taylor, Barbie Doll haver (ACK!–I just clicked a link that was supposed to be an image of the Barbie Doll and it was NOT A BARBIE DOLL, and KEN DOES NOT HAVE THAT PART!) and co-founder of Juicy Couture and the new line Skaist-Taylor, Yasmin LeBon, who is still a force of fierceness in the modeling world, and of more recent newsworthiness, Amanda de Cadenet.

Because John Taylor rained out my 21st birthday by marrying the latter on it, I’ve always had a side-eye out for that pretty, pretty First Wife.  Now that she has her own talk show, it’s easier to cast a gaze.  And infinitely pleasurable.

The Conversation with Amanda de Cadenet is my new guilty pleasure.  A pleasure because it is fun to watch celebrity women giggle and chat on the sofa, shot so that it is easy to imagine yourself sitting in an armchair alongside the hostess and her guest of the moment, and pretend they are sharing their girltalk with you.  Guilty because, even when the guests are at their most guileless, I remember that most of these women are actresses of some sort, and are expert at presenting the emotions they want the audience to feel–I remember that it is just television.  I remember that I am watching a loosely scripted construct of what a market research group has determined matches my demographic, otherwise, it wouldn’t have made the air.  So, I enjoy it, but I feel like a chump for enjoying it.

There is an irresistable lure to hearing about the lives of celebrities–what makes them tick?  What do they think?  How do they feel? If I tick, think, feel that way, could I be so lucky as to live in a house like hers?  Drive a car like hers?  Have the same sort of protrusive hip bones?  (I’ve known enough successful entertainers to know that the protrusive hip bones are a byproduct of being hungrier to fulfill their professional goals, than their nutritious ones–and I’m not knocking that.  It is showing the same dedication to a professional goal that an athlete shows in training, or a professor shows in schooling.  That’s a free revelation right there.  Not every uber-thin actress has an eating disorder, but every uber-thin actress knows that maintaining a certain lightness is a job requirement.)  Maybe, if we were privvy to the real conversations these peers might have among themselves, we might just pick up a tip or two, but so long as the guests are censoring themselves to meet the media expectation of their personae, no. 

On her own, de Cadenet is still talk-newbie wooden and could do with better styling.  She speaks in a monotone and wears a constant, carefully interested expression, and rather than the casual muss you expect on your best friend over a glass of wine, her look is verging on having just gotten your best friend out of bed after a whole lot of wine.  The most animated and the most pulled together she has appeared thus far, was in talking to Leslie Bennetts, author of The Feminine Mistake, accomplished in a black tshirt and some truly excellent boots, proving that you don’t have to be dressed to the nines to look lovely. 

To her great credit, she asks good questions, gives her guests time to answer, and is very willing to admit she is on her own path toward learning.  If her biggest fault is in appearing to be stiff and overly earnest (and it is), then as the season goes on and her comfort at pretending the camera isn’t there increases, so will that sincerity translate into the charisma that is more readily apparent in her vlogs.

And, as long as she’ll have women like Bennetts on the show without asking them questions about their weight, I’ll watch.  You know what is a shocking relief?  Having a fat woman on camera without making her talk about fatness–just talking to her about her area of expertise.

As television goes, I give it 3.5 out of 5 stars.  It’s definitely worth putting on your DVR and watching while you eat your breakfast in the morning.

Where the Wild Things Aren’t


I remember the first time I read Where the Wild Things Are. I was given it in tandem with Where the Sidewalk Ends and both of those books had a great impact on my early literary development.  The one because I had never seen a book that so clearly depicted my own imaginary travels, the other because I felt like I had found a friend.  Sendak and Silverstein, Lewis and L’Engle, Blume and Danziger were the six authors I loved most until–Eh, I still love them most, I’ve just also added Dean and Robbins, Rowling and (most recently) Collins to the list.

I have always liked authors who made me think, who inspired me to dream, or who made me laugh.  I like the ones who do all three best (so Silverstein, L’Engle, Dean, and Robbins come out ahead).

I was twelve years old, and having surgery on my foot the day I found out C.S. Lewis was long dead.  It was December of 1983, and I was reading The Silver Chair for comfort while Dr. P cut away at my toes, and when he asked me about it, I said that I had read all the Chronicles of Narnia and couldn’t wait for Lewis to write more books. 

Dr. P told me that Lewis had died on the same day as President Kennedy, and went on to tell me more about Lewis’ life and death.  I didn’t hear a word of it.  I can remember how pale I felt.  As pale as Peter Pevensie’s voice sounded in Prince Caspian.

I still get the same feeling each time I lose one of my authors.  The same feeling I had when I lost Jim Henson.  The same feeling I had last week when I lost Adam Yauch.  It is a personal sense of loss.

I heard this interview with Maurice Sendak replayed, in late June of last year.  I was on my way to my very first therapy appointment, and it was a serendipitous thing.

My deepest condolences to every Wild Thing who ever roared.